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Darmstadt School : ウィキペディア英語版
Darmstadt School
Darmstadt School refers to a loose group of compositional styles created by composers who attended the Darmstadt International Summer Courses for New Music from the early 1950s to the early 1960s.
==History==
Coined by Luigi Nono in his 1958 lecture "Die Entwicklung der Reihentechnik" (; ), Darmstadt School describes the uncompromisingly serial music written by composers such as Pierre Boulez, Bruno Maderna, Karlheinz Stockhausen (the three composers Nono specifically names in his lecture, along with himself), Luciano Berio, Earle Brown, John Cage, Aldo Clementi, Franco Donatoni, Niccolò Castiglioni, Franco Evangelisti, Karel Goeyvaerts, Mauricio Kagel, Gottfried Michael Koenig, Giacomo Manzoni, and Henri Pousseur from 1951 to 1961 (; ; ; ; ; ), and even composers who never actually attended Darmstadt, such as Jean Barraqué and Iannis Xenakis . Two years later the Darmstadt School effectively dissolved due to musical differences, expressed once again by Nono in his 1960 Darmstadt lecture "Text—Musik—Gesang" . Nevertheless, composers active at Darmstadt in the early 1960s under Steinecke's successor Ernst Thomas are sometimes included by extension—Helmut Lachenmann, for example —and although he was only at Darmstadt before 1950, Olivier Messiaen is also sometimes included because of the influence his music had on the later Darmstadt composers .

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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